
Chalk it up to long Nordic summer days or a certain wistfulness brought on by winters that last just that bit too long. Whatever the reason, Turku, Finland-based Goodnight Monsters have a clever knack for creating infectious, summer-inflected, indie-pop songs. The tunes are bright and blissfully uncomplicated and lack a certain polish, and they are undoubtedly all the better for it.
The group was formed in 2004 when Valtteri Virtanen and
Matti Jasu began playing music together and released their
debut album of home recordings in 2005 called The Brain
that Wouldn’t Die. The duo later joined with bassist
Markus Jalonen and drummer Jussi Rantanen, forming the
band’s current lineup.
Valtteri and Matti talk to What’s on the Hi-Fi about their
well-received 2008 album Summer Challenge, the
band’s (new) direction and touring, and their blessed
hometown under siege.
How did Summer
Challenge (the group’s first studio album) come
together?
Valtteri: At
first, we tried to record it the same way we did our first
album, DIY style. It didn’t work out that well for some
reason, and we completed it in a real studio with producer
Petteri Rajanti. The process of making it was kind of long;
we started the first recordings in the summer of 2006 and
finished the last mixing in early 2008. That doesn’t mean
we were sitting in the studio all that
time -- the album came together little by little
in short sessions. At first it sounded more raw and
guitar-driven, but with Petteri Rajanti’s touch it ended up
sounding more sophisticated.
The lead-off song’s namesake is
the exceptionally affable, clever, loyal and energetic
(Black) Labrador. As a first impression, what does that
tell us about the
album?
Valtteri:
Originally the song had lyrics that mentioned a black
Labrador. Then it transformed into an instrumental, but the
title remained. We put it as the first track because it
sounded like a nice intro for the album -- it
introduces the upbeat rhythm and the spacey organ sound
that kind of goes through the whole album.
I think Labradors are the kind of dogs that don’t seek your
attention all the time. They just lie down peacefully and
make you like them in their own, lazy way. Maybe that goes
for the album as well, or at least for our approach to
self-promotion.
When you’re writing, do you set any ground
rules in advance, or is it just a gradually evolving
process?
Matti:You
shouldn’t think too much when writing. Don’t try to please
other people, just write the music you like.
Who would you want to play a
show with?
Valterri: It
would be cool to support some great veteran act that we
like, Neil Young or Yo La Tengo, for example. It would also
be interesting to play a show with an extended version of
our band, like with a horn section or something.
Any plans to strike out on tour in the
US / Europe?
Valterri:
No current plans at the moment, but we really wish
something like that happens soon. So far, we have played
some gigs around Europe, and it’s been a lot of fun. We
definitely are looking forward to touring again.
Is a new album in the works? What can we
expect?
Valterri: Yes,
we are rehearsing new songs at the moment and hope to get
to record them soon, and do it a little bit faster this
time. So far, the new songs sound a bit more loud and raw
than the older stuff, but there’ll also be poppy numbers.
One of the songs is kind of loungey. One has a Bo Diddley
beat. Expect some long guitar solos too.
How would you describe your hometown of Turku
(which apparently is subject to an annual onslaught of
swarms of youths from the feuding city Tampere, who all
jump in Turku’s market square in an attempt to push the
city back into the
sea)?
Matti: For a
start, Turku is a much better place than Tampere! [laughs]
It’s a nice town with a nice river flowing through it.
There are lots of clubs and record shops and parks and
stuff like that. The live music scene is also lively. It’s
one of the oldest cities in Finland.
What’s on your hi-fi at the
moment?
Valtteri:
Goldfrapp’s new album. It sounds like a mixture of some
misty 60’s folk and Saint Etienne, great stuff. Then some
Stooges. RIP Ron Asheton. And Luna, I love their late night
sound.
Matti: I’ve been listening to Nina Simone’s whole
catalogue -- top stuff. Also, some Neil Young,
mostly Zuma and the latest album, Sugar
Mountain. And I just found a bunch of cheap vinyl from
a flea market, including records by Henry Mancini and The
Association.
Goodnight Monsters (Official) |
MySpace | Klicktrack
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